When was convergence of the twain written




















It is unique in its lack of sentimentality, the cold, impersonal tragedy it paints. More than a century later, critics continue to debate the morality of this approach, the complex classical knowledge base it draws on, and the allegorical and religious dimensions of the poem. The Question and Answer section for The Convergence of the Twain is a great resource to ask questions, find answers, and discuss the novel.

The Convergence of the Twain study guide contains a biography of Thomas Hardy, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Or sign that they were bent By paths coincident On being anon twin halves of one august event,. It is through these devices the writers make their few words appealing to the readers. Thomas Hardy has also used some literary devices in this poem to make it appealing.

The analysis of some of the literary devices used in this poem has been listed below. Poetic and literary devices are the same, but a few are used only in poetry. Here is the analysis of some of the poetic devices used in this poem. The grey Sea laughed— and drew those brave men down, And braver women who but mocked at Death, Seeing that Love went with them. These the souls The awful Sea desired!

These the hearts She waited for in that stupendous hour! They were enough to warm the Artic wastes, To fill with furnace heat the frozen zones, And fire the very Sea that was their grave. Not everyone approved of this outpouring of sentimentality. Hardy, in his poem, did not describe the human journey he referred to in his note to Henniker.

He did not spend a syllable on human suffering, nobility, or bravery. There are no dead, nor is the ship haunted by its new, less demanding passengers—however slimy. There is a very strong case for this interpretation.

Many clues to this interpretation are sunken in what R. In The Destined Pair Hardy sketched his essential romantic myth:. Two beings were drifting Each one to the other. Out of which maladroit delay sprang anxieties, disappointments, shocks, catastrophes, and passing-strange-destinies. The ship meets its antithesis, and the result is not synthesis. There is a great deal more of this in the criticism written about the poem, and I am convinced by it, but I want to draw attention to something else.

Hardy was agnostic, but at a time when the embers of universal belief burned brighter than they do today. Nave and navigation are from the same root, the main part of the church resembling an inverted boat. Nothing more than that. The agnostic Hardy assumed the medieval role of God the Architect, measuring the cosmos or his poem with calipers.



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